The women activists who in 1981 established anti-nuclear, non-violent protest camps near the barbed-wire perimeter fence of a military base in Greenham Common, UK probably
could never have imagined that their protest would remain continuously active for 19 years. (The 96 cruise missiles there were finally de-stationed in 1991, but it wasn’t
until the end of the millennium that the ground was handed back to the public.)
In 1989, in the New Museum in
NYC, Margaret Harrison had their collective ongoing struggle on her mind, even though it was no longer in the press as it had been when tens of thousands had formed a
human chain. As a kind of homage she created the installation Commonland/Greenham (1989). This major work will be the centrepiece of her Berlin solo exhibition ‘PREOCCUPY’ at SILBERKUPPE.
Decorating the high-security
structure are mementos of domestic and family life. In the air in capital red letters is a quote from Virginia
WE CAN BEST HELP YOU PREVENT WAR
NOT BY REPEATING YOUR WORDS AND FOLLOWING YOUR METHODS
BUT BY FINDING NEW WORDS AND CREATING NEW METHODS.
Harrison is one of the most distinguished feminist artists and cultural activists to emerge out of the UK in the 1970s.
She was one of the founders of the London Women’s Liberation Art Group, the Women’s Artists Group
and the Artists Union.
The Berlin exhibition, whose title
pays tribute to the historical feminist lineage of protest and resistance, includes examples of works from
each of the decades since then to the present day.
Together they address some of her major artist concerns:
the central importance of direct feminist and politicized content and action; the interplay of slogans and text with drawn, painted and photographic images; and the
agitprop use of mixed-media techniques.
In her work Harrison deals not only with the visible political global
hegemony but also the politics of sexuality and gender for instance, in her densely reconceived drawings of Captain America, Superman and other generic figures.
These depictions overturn the normative conventions of
gender and sexuality and entail a critical consideration of the interests of the LGBT community.
This is Harrison’s first solo exhibition in Berlin. In the past her works were included in the NGBK group exhibitions ‘Goodbye London - Radical Art and Politics in the
Seventies’ (2010), and 'Künstlerinnen 1877-1977'(1977).
HARRISON’S WORK SAYS: LOOK LIVELY, KEEP PROTESTING OR AT LEAST KNOW HOW, BITE BACK, RECLAIM THE SPACES OF POWER AND HUMOUR
27 April - 30 June 2012